This is the first piece in the mini-series, The Children of Poseidon, within the triptych cycle of eight works. This series also came into being from salvaging and transforming the Hester Prynne and Arthur Dimsdale project. All four of these triptychs depict swimming fish.
Once again, the Greek chorus emerges with tropes and motifs of judgment and worth. Here is seen a main character who is mercilessly censured by both family and society. However, a surprising turn of events occurred during the creation of the Poseidon series.
A visit by my sister and my young nieces prompted an early showing of the work. I was concerned that they might disapprove of all the nudity in the drawings. Though I was completely caught off guard, to my delight, my teenage nieces provided serious analysis with thoughtful questions and comments. Their interest and sincerity caused me to reimagine this series in a more positive light even though the heart of the Poseidon series remains judgmental.
The title of the mini-series evolved organically from the image of Tram Coombs, an elderly model. To me, he always seemed to have a Poseidon-like look. Ironically, Tram has none of the typical physical characteristics of Poseidon, as he is thin and slight in stature and also soft-spoken. But his features and manner display a powerful strength in their own quiet ways.
